Showing posts with label absolute. Show all posts
Showing posts with label absolute. Show all posts

Tuesday, May 18, 2010

Absolute Absolutes

I wouldn't call "Green Lantern: Rebirth" my favorite comic book series. Not even close. I liked it well enough at the time of its release, and I thought Geoff Johns did a surprisingly good job making some kind of sense out of the Parallax ridiculousness and bringing Hal Jordan back in a way that erased the sins of the "Emerald Dawn"/Gerard Jones era without ignoring them.

But I somehow now own it in three different formats: single issues, hardcover collection, and now the Absolute edition. I bought the single issues during release, and caught up with all the Johns Lantern HCs during the "Sinestro Corps War" when my local shop had a 50% off sale, and I felt the need to own the comics in a format that I could throw at slow moving squirrels or something. And I am incapable of resisting an Absolute edition. It's by far my favorite format to read comics in. Oversized and bulky. Absolutes are immersive experiences.

Turns out, that just like so many other Absolute editions, I like "Green Lantern: Rebirth" even more reading it at this size. Ethan Van Sciver has never been one of my favorite artists. He strives for Brian Bolland but lacks the structure to hang all that rendering on. Yet at the Absolute size, his work looks great. And it helps that "Green Lantern: Rebirth" is the best work of his career. Far better than "Flash: Iron Heights," which was his previous benchmark, and far, far better than his recent work on "Flash: Rebirth."

So, yes, "Absolute Green Lantern: Rebirth." I am no sorry I own this. Not one bit.

And when I mentioned Absolute editions on Twitter, some folks asked for recommendations, so here are my Top 10 Absolute Editions, in order of ones-I-would-bring-to-a-desert-island-and-read-and-not-burn-in-a-fire-to-keep-me-warm.

#1. Absolute Watchmen. Dave Gibbons at this size is like the Mona Lisa giving you a high-five.

#2. Absolute Dark Night. Frank Miller doesn't just draw comics. He carves them.

#3. Absolute DC The New Frontier. Darwyn Cooke's finely crafted masterpiece of superhero spectacle is a bit cold and lifeless. But in this format, you can crawl around inside its sculptured majesty.

#4. Absolute Promethea. J. H. Williams III. He draws good.

#5. Absolute Crisis on Infinite Earths. The story is pretty terrible to actually read, but George Perez's art has never looked better.

#6. Absolute Ronin. Euro-manga explosion, inside Frank Miller's pen and ink.

#7. Absolute Sandman. All four volumes. Why not?

#8. Absolute League of Extraordinary Gentlemen. Both volumes. Out-of-print, but classic. And Kev O'Neilly.

#9. Absolute Death. Chris Bachalo is an amazing artist, and even if this book unnecessarily reprints issues from Absolute Sandman (seriously, who buys this and not Sandman?), it's still, you know, Chris Bachalo.

#10. Absolute JLA/Avengers. Pure eye candy.

I don't own Absolute Planetary or Absolute Authority, but when they're reprinted, I'll be able to build a house with them. Alex Ross in Absolute format? Nah.

Thursday, November 06, 2008

When Words Collide: Frank Miller's Sci-Fi Samurai Epic

Take a look at this page from Frank Miller's Ronin. What's not to like? Miller was doing things 25 years ago that no one had ever done in American comics before, and yet somehow Ronin has fallen into some kind of vaguely forgotten bottom drawer of significant comic book history.

It's really quite a book, and the Absolute Ronin edition taught me to look at it with fresh eyes.

So that's what I do in this week's "When Words Collide," and I also give you some more Miller musings from that classic issue of The Comics Journal I've referenced a few times here this week.

Check out WWC: Frank Miller's Sci-Fi Samurai Epic. And let me know what you think.