The Advent of the New Awesome: San Diego Comic-Con 2009

This week's "When Words Collide" recounts my five days of adventure at SDCC 2009 (or CCI 2009, if you want to be accurate). Thrill to my breaking and entering exploits, my reckless convention floor non-buying behavior, and my celebration of all things awesome.

Read it, comment upon it, live it.

Comic Con 2009 Pics

Brian Michael Bendis showed up in disguise so as not to attract attention:



Geoff Johns ruminated on the greatness of Grant Morrison, on camera, for all the world to (eventually) see:



They trotted out Castle Grayskull last year, too. I wonder what happens to it between Comic Cons:



Jeff Lemire and Josh Dysart read this blog every day and beg me to include more photos of them. So I do:


Special feature on the blu-ray "Watchmen" two-disc set. These three show up at your house and punch you in the face:


The Prez:


Penny!


Did you take the picture yet, I ask? No he did not, apparently.


Jonah may have won the Eisner for CBR, but Dean Trippe and I take all the credit whether we deserve it or not. You can't stop us. (Jessi Awesome's legs can't even get between us and our coveted Eisner.)


Jason Aaron wears his limited edition Morrison tribute glasses while talking about how his favorite comics are ones called "X" and "Men" and written by Chris Claremont:

My San Diego Schedule

I don't have a San Diego schedule, suckers! I'm on vacation, going to the convention with Television's Ryan Callahan for pleasure, not profit. Though I'll thrill you with tales of my adventures in Monday's "When Words Collide" column.

And I'm interviewing Matt Fraction for a documentary.

And I'm being interviewed for a different documentary.

And I'm meeting with an editor who is interested in having me join a new publishing line.

Other than that -- no plans! I'll see you all in San Diego. And for those of you who can't make it, follow my Twitter feed for constant updates from the floor. As I have fun all week long.

(This is photo was taken in a quiet little corner of Television Ryan Callahan's new pad. Check out that Michael V. Bennett "Army Men" artwork!)

This Guy, I Like!

I'll be stalking Kevin all weekend, and I hope you will be too.

Kirby, Steranko, Pope and More: My eBay Action

As part of my Great Comic Book Reorganization efforts, I'm selling some comics on eBay!

You want some classic Jack Kirby Silver Age action? You can get it.

Jim Steranko? Yup.

Paul Pope? Absolutely.

Jerry Ordway and Todd McFarlane? Um, yes, but this list gets less impressive as it goes along, doesn't it. Yes!

Jim Aparo's pretty great, though, right? Jim? Aparo? "Batman and the Outsiders? No? YES!

Anyway, I offer a link to my aBay auctions because I want to sell this stuff to people I love and admire. Bid away, my friends, and if you're a Geniusboy Firemelon regular and you end up winning any of these auctions, let me know, and I'll throw in some other free comics as a bonus!

Alan Moore? File under "H" for "Has-Been"?

The title of this post doesn't make any sense, but I couldn't think of anything else to use, so I figured I'd come up with something to start a blood feud between CBR's George Khoury and myself.

It's on, George Khoury. Bring the pain!

Okay, what this post is about is something much more mundane than Alan Moore's current relevance or my imaginary war with George Khoury: it's about sorting comics.

I'm literally in the midst of thousands of comics. They surround me, here in my geek lair, as I try to somehow make more space by putting all of them in unwieldy longboxes. I don't know how the physics on this kind of thing works, but I somehow think that if I take these piles and piles of comics that have been building up and slip them into my already alphabetically-organized collection of comics, I'll somehow have space to walk around and, I don't know, own other things besides comics. It's doomed to failure, I know, but I just can't leave these piles all over the place. One false move and I could lose a child in this mess.

So, here's my question for my faithful readers. How do you organize your comics? Specifically, do you organize them by title or by creator? Because what I've found is that I have my gigantic stacks of alphabetized long boxes (by title), a couple of Grant-Morrison-only boxes (that I separated when I was writing the book, and then just kept separate for convenience), three "Legion of Super-Heroes"-only boxes (same reason), and then piles and piles of comics I've purchased over the past two or three years (some of those "piles" have ended up in random longboxes, but completely unsorted, just to get them out of the way).

But my new system this time is to create more creator-specific boxes (or parts of boxes), because I find myself referring to some comics far more than others. Alan Moore's an obvious example, and it really doesn't make sense to have my copies of "Top 10" and "Miracleman" mixed in with incomplete runs of "Tailgunner Jo" and "Monsters on the Prowl." So, that would give me easier-to access Alan Moore comics. I've done the same with Matt Fraction, rounding up my scattered "Uncanny X-Men" issues just so I could write things that would make Ultimate Matt mad, and I've done the same with my Jason Aaron comics , pulling all the "Scalped" issues and "Ghost Rider" issues (and other sundries) into a single box.

Who else would you isolate and box separately? I'm doing it for Ed Brubaker, too, I think. Well, I guess I AM doing it, since I've kept his comics in a separate pile as I sort and alphabetize everything else. Garth Ennis gets his own box, basically on account of "Preacher" alone, but it will be nice to have his war comics and "The Boys" all in one place. Warren Ellis gets a box. So does Joe Casey. Mark Millar does too, as frustrating a writer as he is, because I can imagine doing some kind of retrospective on his work or referring to specific runs more than once.

Who else might you separate? Would you give Bendis a box or ten? Azzarello? Gaiman (even though I sold my "Sandman" comics years ago and have his good stuff in collected editions)? Kirkman? Giffen? Would you do it by artist? The more refined you get with a creator-based division, the more runs you break up and then it's hard to find that issue of "Jonah Hex" you were looking for because you can't remember which artists drew it without looking it up online and cross-referencing it with your collection.

What's your system, if you have one?

Cry For Justice: The Remixes

Believe it or not, I don't exactly agree with Doug Zawisza's baffling five-star review of "Justice League: Cry for Justice" #1.

But I do agree with THIS.

And THIS.

"Cry for Justice," indeed. James Robinson may not live this one down.

Bagley and Williams III Fistfight in Heaven

Since my last WWC column, I've been getting plenty of e-mails and Tweets from people defending Mark Bagley's work and saying stuff like "while it's true that Bagley couldn't have drawn 'Promethea,' Williams III couldn't have drawn 'Ultimate Spider-Man.'" Yeah, that's just plain wrong.

Why is it hard for people to accept that drawing is a skill and some people are better at it than others? Sure, there are plenty of fuzzy areas, and I would have trouble saying that J. H. Williams III is better than Dan Clowes, for example, but Williams III vs. Bagley? Really, there's no contest.

Williams III:


Bagley:

Plans Derailed. New Plans Taking Shape.

As you can tell, after over a year of near-daily updates, I've fallen into a rut of inconsistency over the past couple of months. I had planned to come back from my blogging break re-energized and ready to write like crazy. Then I'd planned to come back from my family trip to Disney re-energized and ready to write like crazy. Then I planned to come back from my conference last week and, well, you get the idea.

But I just can't seem to get back to the daily update schedule anymore. For two reasons:

1) I'm not overly excited about any Marvel and DC comics right now. I have been writing about mainstream superhero-ish stuff for years, and even though I'm enjoying Grant Morrison's return to Batman and Geoff Johns's Green Lantern super-epic and Rick Remender's crazy riff on Punisher and Jason Aaron's greatness on Scalped, I don't know that I have anything new to say about that stuff. It's the same good stuff I've been raving about for a while and the same bad stuff that I've been railing against for a while. And CBR pays me to do those things, so it's difficult to do them for free when it's just more of the same.

2) I have a brand-new job. Two of them, actually. I've become English department head, and I've become Dean of Curriculum and Instruction at my school. My teaching load has lessened considerably, but now I have tons o' administrative responsibilities. With the school preparing for a very different composition of students and faculty next year, and with curricular changes to accomodate the new composition, I have a lot to do right now and all summer long. And then after that, forever and ever. It's an exciting time, it's a time to solve problems and lay the solid groundwork for a new year (and beyond), so it's a little bit tricky to find time to immerse myself in comics like I could, oh, a couple of months back. Also, do I have it in me to care what Domino is up to or what case Manhunter needs to solve next? Not so much these days.

I'll still be reviewing comics and writing columns for CBR (probably less reviews per week than normal, though), and I'll still be posting here occasionally, but I'll need to change the promise of "updated daily" on the masthead. I've got other priorities right now, and they're good ones.

As you're waiting for my next update, go ahead and read some "Asterios Polyp," if you were lucky enough to get an early copy. It's a great comic!

At a Conference -- Not Much Comic Action

I'm at a conference for work this week, so I won't be updating until Saturday, but I'm trying to stop by the local comic shops while I'm out here in Newton, Massachusetts. I'll let you know if I find anything cool.

When Words Collide: Adventures in MoCCALand

So there was this thing in NYC last weekend? MoCCA Art Fesival? Perhaps you've heard of it?

Anyway, Todd Casey and I hit the MoCCA Festival hard and came back with some stories to tell and some comics to read. My story popped up at CBR in yesterday's "When Words Collide." Read it and enjoy!

Review: Seaguy: Slaves of Mickey Eye #3

In the history of my CBR reviewery (and I've written well over 300 reviews in the past 15 months), I've only given the coveted five-star review three times. "Casanova" #14 got the perfect score. So did "All-Star Superman" #10. Now, another comic has joined that elite rank: "Seaguy: Slaves of Mickey Eye" #3. Man, did I really like this comic.

You should read the heck out of the whole series and then eagerly anticipate the final three issue mini which, according to Cameron Stewart, we can expect in the summer of 2010!

EW on Asterios Polyp

In the grade-A review of Mazzucchelli's "Asterios Polyp," Sean Howe of "EW" mentions the "nearly subliminal color symbolism" in the book. The symbolism is anything but subliminal -- it's an essential detail that's commented upon within the text. That doesn't make it any less great, though.

But it's like saying that the bat motif in Bruce Wayne's life is subliminal.

Random MoCCA Festival 2009 Photos

Commentary on MoCCA 2009 to appear in tomorrow's "When Words Collide" column. Now I just have to write it.

Batman and Robin and Seaguy Hit THE SPLASH PAGE

Chad Nevett and I couldn't resist talking about Grant Morrison comics when two of them shipped on the same day. So that's what we did:

Chad Nevett: Oh my god, we're discussing Grant Morrison again! What a surprise! I am so shocked! This never happens! Ever! Seriously! Er... so... yeah... "Batman and Robin" #1 and "Seaguy" #3. Want to kick things off, Tim?

Tim Callahan: "Batman and Robin" #1? Oh, did that come out?

Honestly, I haven't been anticipating a comic this much since "Final Crisis" #7, how about you?

The first thing that pops to mind is, "yeah, had Quitely drawn all of Morrison's 'Batman' run, our brains would not have been able to handle the awesomeness." Boy, is he the perfect guy to take this Morrisonian weirdness and make it sing. And, yeah, this issue immediately renders all of "Battle for the Cowl" moot, filling in just enough plot details to get everyone up to speed, and then jumping right into the action. This is definitely a much more accessible Morrison Batman comic, with very little in the way of subtext beyond the Dick/Damian relationship and the new strangeness descending on Gotham in the absence of Bruce Wayne. But Morrison's "Batman" run started out simple too, with a Man-Bat Ninja attack and the introduction of his hitherto-unknown son. I think people forget that when they complain about the dense and indecipherable earlier Morrison Batman comics (which, as we both know, were slightly dense but hardly indecipherable). Still, this is a "Batman and Robin" comic for everyone to enjoy. I didn't even miss Jamie Grant's colors as much as I thought I would -- Alex Sinclair does a nice, bold job with the color palatte here, and perhaps Grant would have made it too ephemeral for a Batman comic (although I probably shouldn't assume that, since a pro like Grant would have changed his approach to suit this series).

As much as I liked "Batman and Robin" #1, I think I prefered "Seaguy" #3, though. "Batman and Robin" #1 was great and all, but it seemed to be pretty much exactly what I expected going in -- based on the preview art and the interviews. I never know what to expect from "Seaguy," and this final issue (of the middle series) had it all: action, madness, thrills, nonsense, satire, and most of all, romance! I loved the heck out of this "Seaguy" series. What about you? "Batman and Robin" #1 or "Seaguy" #3? What takes the Nevett Award for Best Morrison Comic of Early June?

CN: Yeah, "Seaguy" was the better comic. I was looking forward to "Batman and Robin" more, but "Seaguy" is just too damn good for a lighter superhero book to really match up. And "Batman and Robin" is very much a light superhero book -- a very good one, but, in many ways, I don't think it quite matches up to what Morrison did up until this point on "Batman." As you said, it's very superficial and lacking in subtext, which is fine and good, but a book like that is always going to look inferior next to one that is so rich and deep like "Seaguy." I love both, but one is going to get reread this weekend and the other isn't.

Actually, there's something about "Batman and Robin" that felt off for me. I didn't mention it in my review of the issue, because I was going for something a bit more objective -- and because I haven't been able to figure out what feels off yet. Maybe it's the lack of subtext. In many ways, this comic feels too easy, too self-explanatory. Too unchallenging. One of the things that we've loved about Morrison's "Batman" run has been that it demands that the reader step up and engage the comic in a far more active way than he or she usually would. Now, maybe we'll discover later that there really was tons of stuff going on here -- because, as you said, Morrison's "Batman" run began similarly -- but, I was maybe just expecting more. That said, "Batman and Robin" is a very smart, well-executed comic that reads briskly. I don't think it's as groundshaking as others have said, but it's a very strong start to this book and this new dynamic duo. Are you missing the subtext like I am?

To Be Continued at GraphiContent!

Review: Astonishing Tales #5

This is a terrible comic with the single redeeming feature of Jonathan Hickman and Nick Pitarra's story. Their "Mojoworld" might not be all that great, but it's funny, it looks different from everything else, and it has a sense of absurdity about it.

The rest of this comic isn't worth reading at all. Check out my CBR review to see why.

Batman and Robin #1 Annotations

Like my previous annotations/commentary on Morrison's Batman, this is not so much a scholarly look at a comic book page-by-page as it is me making fun of stuff and/or pointing out what I notice. I may point you in directions you hadn't yet considered, but I would never guarantee anything that foolish.

Batman and Robin #1 Annotations

Cover: I'm not a huge fan of the "Battle of the Planets" Batmobile, but I'm sure it will grow on me as it continues to fly through Gotham and blow stuff up. I do like the utter simplicity of Quitely's Batman design -- classic, yet with a bit of weight in the boots to show this well-grounded Dick Grayson incarnation. I also like the return of the green on the Robin costume, as if Damian insisted "hey, Neal Adams, man! We can't just throw out his design!" and I like the Doc Martens, because Damian Wayne does not wear slippers (in fact, that's the subtitle of the next Robin spin-off miniseries). The best bit of the Robin costume is the black hood on top of the yellow cape because Damian doesn't care about fashion rules. He'll put a damn hood of a different color on top of a a damn yellow cape anytime he wants. He was raised by ninja assassins. Were you?

Page 1: Mr. Toad. Note that "Mr. Toad's Wild Ride" isn't actually a ride at Disney World anymore. Instead you can journey through a lame, and pointlessly bouncy, tour of Winne the Pooh's house. Perhaps Morrison's anger at this switch led to the Mickey Eye thing in "Seaguy."

Pages 2-3: Flying Batmobile vs. old-timey car.

Pages 4-5: I imagine Batman says "I'm sorry I ever doubted you, Damian" in the tone of a middle school basketball coach, trying his best to be patient and supportive, but really wanting to tell the other kids to beat the little punk up after practice. This Batmobile shoots rockets that go boom.

Pages 6-7: "Never use real names in the field" is code for: "the exposition's over, pal, so start talking like these readers have actually read 'Battle for the Cowl' (even though we're as surprised as anyone that they actually did)." This Batmobile also has grappling powers. All it needs is a pair of metal fists. And Mr. Toad speaks like a carnie.

Pages 8-9: The double punch is a strategy employed heavily in the "Batman" television show from the 1960s, which is the feeling Morrison is apparently aiming for here. No sound effects, though, because that wouldn't make this panel ironic, it would just make it silly. Dominoes are also known as "bones" because doctors, aka "sawbones" used to get paid in dominoes (okay, that is probably not true at all). Does anyone draw gloves better than Frank Quitely? The answer is no.

Pages 10-11: The two pages that render all of "Battle of the Cowl" and its tie-ins completely irrelevant. Good. Also: Batman's grave, but nothing is written on it! Could it be that he's not really dead? Perhaps that final page at the end of "Final Crisis" #7 that showed Bruce Wayne alive in a caveman cave meant that Bruce Wayne is not, in fact, dead but rather alive in a caveman cave.

Page 12: See, I told you dominoes were called bones! Also, this page is a complete rip-off of Chris Ware's "Building Stories" and he should probably sue.

Page 13: The exposition ain't done yet, it turns out. But a European circus performer? That's menacing. And, no, eating chicken and jalapeno sandwiches don't make you a badass, Dick Grayson, as Damian is quick to prove.

Page 14: Who says, "crime is doomed"? Dick Grayson, right? He is turning into the sarcastic middle school basketball coach already. Also, Damian should drop a League of Assassins reference in every conversation. "So, did you catch the 'Lost' season finale?" "No, because I was raised by the masters of my mother's League of Assassins." "Do you like jalapeno sandwiches, with chicken?" "Dick Grayson, I will cut out your pansy tongue with a machete I carved from the spine of Charles Manson as I was taught by the masters of my mother's League of Assassins." Etc.

Pages 15-16: Disrespectful brats always talk about other people having to "earn" their respect. The "Tim Drake" line really puts Damian in his place, though. Dick Grayson may get promoted to junior varsity b-ball coach before this issue is over. Also, Pyg's doll gals are creepy. Pyg and his dolls appeared way back in "Batman" #666, remember that one? The one that was an "alternate future" where Damian was Batman? The one that seems less and less like an alternate future and more and more like what could really happen if Morrison stayed on this comic long enough? That was a good issue, wasn't it? This art is way better.

Pages 17-18: I know it's expressionistic and I understand foreshortening, but Frank Quitely's Batman can reach down and grab hold of his kneecaps without even bending over. His arms must have stretched after all those years of swinging around Gotham. I do like how Robin is bigger and in the foreground. This is the "Robin and Batman" series at this point. Grayson needs to step up and smack the little brat with those baboon arms of his.

Pages 19-20: That guy with the flaming skull? It's not the Flaming Skull. (He's Phosphorus Rex.)

Pages 21-22: Pyg is apparently not a professor yet. He's got a whole Leatherface thing going on here, which is pretty terrifying actually. And the acid mask gag? Didn't the Black Mask used to do something like that? Anyway, things look bleak for Niko and family. I don't think Robin will care too much about saving them. He was raised by assassins.

Page 23: I don't know if that's Jason Todd or not, but in that single panel, he looks cooler than he does in every previous appearance combined. Also: Dr. Hurt returns and he's got the keys to a building that's been blown up. Why is he all braggy about it? Because he's Satan, that's why! Or he's Bruce Wayne's father, that's why! Neither of which were raised by any sort of assassins, as far as I know.

No obscure 1950's "Batman" comics to reference this month? Maybe I'll drop this series and see what Winick's got going on.

Morrison and Quitely!!!

Review: Ultimate Spider-Man #133 -- UPDATED

Though I use words like "tragedy" and "weighty" and "Bendis," I provide a spoiler-free review of the final issue of "Ultimate Spider-Man." But it's not very hard to connect the dots and figure out what happens, especially when I quote from the solicitations for the "Ultimate Comics Spider-Man" series headed our way later this fall.

Oh, and as an extra bonus for Geniusboy Firemelon subscribers, here's my one-sentence review of "Ultimatum" #4: It reads as if it were written by Sid from "Toy Story."

UPDATED TO ADD: Bendis, via Twitter, emphasizes that this is NOT the last issue. There are two double-sized issues left. Yet, as I pointed out to him, when Marvel.com solicitations for #133 clearly say "this final issue," then why would we assume otherwise?

Batman and Robin #1 Commentary Coming Soon

You're probably expecting my "Batman and Robin" #1 thoughts, and they will be coming soon. Friday night at the latest. Until then, know this: I HATED that first issue.

Just kidding. Of course I loved it. It's Morrison and Quitely.

Reviews: Aliens #1 and Incredible Hercules #129

I wrote a couple of CBR review from last week that I never got around to linking to: Aliens #1 and Incredible Hercules #129.

Surprisingly, the Aliens comic ended up with the better score, although I'm quite fond of the Hercules series. But Arcudi has some fun with subverting reader expectation in the Aliens comic, and the art on the newest issue of Hercules is too hammy for my tastes.

See what I have to say, and then come back here and tell me what you think.